"Zhancheng Atheification of the King" was created in the late 10th century AD, made of sandstone. The statue is similar in style to the sculptures in ancient temple sites such as Mishan and Toyo in Vietnam's central highlands (south of Da Nang). As a classic representative of Zhancheng sculpture, this work of art has rarity and typicality. Zhancheng is a kingdom influenced by Indian culture that flourished in southern Vietnam between the 3rd and 15th centuries AD. The statue depicts a deified king who sits in a yoga-sitting position (Satvaparyankasava), holding a lotus flower with both hands outstretched.

This is a celadon pot with a lid, dating from the 13th to 14th century AD. The description is as follows: During the Li and Chen dynasties, the design of the holding pot used to hold wine, water or tea was common. The pot body was usually spherical with a short molded spout. Celadon of this period showed a variety of colors, people by adding traces of iron oxide in the glaze, so that its color from light yellow, green to olive green and blue-green. The body of this vessel is carved with floral patterns, which make the celadon glaze thicker in the concave pattern, thus showing a slightly darker olive green color, which contrasts with other parts of the body.

This is a late 15th century artifact collected at the Minneapolis Museum of Art. Its decorative patterns include peonies, lotus flowers, birds, flowers, animals, fish, and even landscapes. These patterns are all painted in underglaze blue with a wavy background. The bottleneck is decorated with cloud vortices, there are banana leaves below the bottle mouth, and lotus leaves around the bottom of the bottle. The inspiration for Vietnamese blue and white porcelain comes from China. However, Vietnamese ceramic artists are not just imitators, they have developed a series of decorative patterns. This elegant pear shaped bottle is closely related to the Chinese prototype in both shape and decoration.